ART 160 Graded Quiz – Chapters 1.3 and 1.4

Beda Stjernschantz was a member of the Symbolists, who were interested in the relationship between art and music. This was exemplified in a physiological condition known as ________, in which one of the body’s senses translates the experience into another sense.
When objects are far away they lack contrast, detail, and sharpness of focus because of the interference of air. Artists take advantage of this when they use the process called:
atmospheric perspective
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This is the system for creating an illusion of depth using three basic components: horizon line, vanishing point, and convergence lines.
linear perspective
An artist paints a scene with a large mountain, which lacks detail and is out of focus, and a tree, which is sharply defined and bright green. The viewer might assume that the mountain is ________ than the tree.
further away
In order to create value in his drawing Head of a Satyr, Michelangelo used both hatching and ________, a variation where the lines overlap, allowing for the depiction of darker tones.
The Belgian Surrealist artist ________ created The Treachery of Images, a work that calls our attention to the illusionary characteristics of painting.
René Magritte
When using a series of squares that are exactly the same shape, implied depth can be achieved by ________.
alternating value
relative size 
relative position
all of the other answers
If an artist were to depict five people, each running toward a different tree, from different starting points, the artist would have to use multi-point perspective.
A Summer Shower by the British artist Edith Hayllar employs linear perspective to create depth. The painting contains imaginary sightlines that converge toward a single vanishing point. These lines are also called ________.
If an artist were to draw a figure whose arm was pointing directly toward the viewer, what technique would the artist have to use when drawing the outstretched arm?
If you are looking straight ahead, an object that is behind you is in your cone of vision.
This artist proved that his system for creating depth was effective through an elaborate process that involved a painting with a hole, a mirror, and the Florence Baptistery. The viewer would look through the back of the painting of the Florence Baptistery while the mirror reflected it, then, when the mirror was removed, the viewer could see the actual building. Who was this artist and innovator?
The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.
One method used to establish depth in Beda Stjernschantz’s Pastoral (Primavera) involves placing figures higher or lower in the composition. This process for creating depth is called ________.

relative placement

Artists can create a sense of ________ by using light and dark values.
Because additive color mixtures are made using light, they rely heavily on pigment.
The artist Adrian Kondratowicz was able to elicit a positive emotion from his Harlem community by distributing ________.
pink polka-dot trash bags
The traditional “artist’s” primary colors are ________.
red, yellow, and blue
The element of art that describes the relative lightness or darkness of a hue, compared to another hue, is known as ________.
Colors that do not contrast strongly with each other, and which are similar in wavelength, are ________ colors.
________ in particular is an element of art that can engage the viewer and express a wide range of emotions.
This artist created the digital work Wondrous Spring using digital media.
We see this type of color when the brain receives so much color information that it is forced to simplify what we perceive.
optical color
Paul Gauguin’s use of the color ________ in his depiction of a crucified Christ enhances the work’s connection with the seasons, and expresses a message of optimism and rebirth.
What ancient Chinese philosophy used color as a symbolic element to explain how change affects the cosmos?
Wu Xing
Hilma af Klint created a personal visual vocabulary for her abstract paintings, which were inspired by spiritual experiences. What country was she from?
Physicists have explained that when we see a color, it is the portion of the light spectrum that a surface fails to ________.
We generally associate a color with its purest, most intense state, or its highest level of ________.
Most commercial color printing is achieved using three “true” primary colors and black. These primaries are ________.
By using ________ color scheme in his painting Twilight in the Wilderness, Frederic Edwin Church intensified the drama of the vast natural landscape.
a complementary
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